Saturated Space is the Colour Research Cluster at the Architectural Association School of Architecture . This website is a working res...

Delving into what it means to be a queer architect who expresses their identity through the aesthetics of the materials and spaces they prod...

^Interior of All Saints Margaret Street from the nave, looking East towards  the altar. [Electric Egg/Shutterstock.com] In “The Zealous Supp...

^Courtney Richeson, Parafictional Polychromy, 2020, Digital Collage This essay -exclusively for Saturated Space- by Courtney Richeson asks t...

^Niagara Galleries (2000-02) by Edmond and Corrigan, photo by John Gollings Exclusively for Saturated Space,  Senesios Frangos  tells the st...

  Exclusively for Saturated Space, Anastasiia Gerasimova tells the story of how green became the colour of Soviet life Read in Calameo below...

^Image credit Mark Peckmezian for The New Yorker Ever heard that white is more sustainable? Strolling through varied manifestations of visua...

^Lever House < source > A paper by Michael Abrahamson exclusively for Saturated Space. the notion of a “functional” colou...

Exclusive to Saturated Space ,  Bold, bright, beautiful? Eddie Blake finds love on the orbital with big box self-storage. Cheaper than a...

^Campbell Centre I and II. Dallas, Texas, Photo: distributedmarketing.org  Exclusive to Saturated Space, an in-depth investigation ...

^The Greengrocers' Order, 2016 by  Ordinary   Architecture . Photo Dunja Opalko Exclusively for Saturated Space Owen Hopkins consi...

Exclusively for Saturated Space, a new text by Darran Anderson "The Failed Utopia of the Crystal Chain" by Darran Ander...

Exclusively for Saturated Space, a new text by Giacomo Pala Pala explores different attitudes towards colour in architecture throug...

Exclusively for Saturated Space, a new text by Jon Astbury "Paint is ubiquitous, one of the most prevalent mediators between v...

image source Exclusively for Saturated Space, a new text by Owen Hatherley "C reating light-filled spaces dozens of metres u...

Exclusively for Saturated Space, a new text by Valentino Danilo Matteis "J. W. Root was one of the main figures in the histor...

“Souvenir d'Afrique”, Aldo Rossi, Tessiture Sarde, Storea editore, 1988 Jacopo Costanzo introduces us to the rich chrom...

Johanna Grawunder , an artist, architect and designer, takes us through her body of work, and shares a highly singular, sophisticated, and...

Eric Parry takes us through his interest in craft and polychromy, telling the story of his collaboration with artist Richard Deacon on th...

Nicholas Fox Weber discusses the relationships that Joseph and Anni Albers had with colour and Architecture, at Saturated Space VIII, an ...

Mc Lachlan's talk during Saturated Space VIII that we held at the Architectural Association on the 11th November 2016. She reveals c...

Exclusively for Saturated Space Eleanor Jolliffe unearths the shimmering delights of the material, technical, historical, and experie...

^VW Polo Mark III Harlequin, 1995 There is shiny colour all around us, lining our streets. Cars are a cross between clothes and ...

Exclusively for Saturated Space, Neil Stephen Flannagan  tells the story of colour in the spaces of Gallaudet University for the deaf a...

^Whistler's Peacock Room, Neil Greentree / Freer Gallery of Art Exclusively for Saturated Space, Amanda Kolson Hurley tells the ...

Exclusively for Saturated Space, Amelia Stein oscillates through the multiple transparencies -reflective, deep, superficial and profoun...

Exclusively for Saturated Space, Jack Murphy delves into the world of Robert Irwin's chromatic emitters. "Robert Irwin is ...

^Blinky Palermo, Wandmalerei im großen Saal der Kunsthalle, Kunsthalle Baden-Baden, 1970. Photograph Erika Fischer Exclusively ...

^ Dorothy Liebes, High Mass, circa 1943. Photo: American Craft Council Exclusively for Saturated Space, Alexa Griffith Winton int...

Exclusively for Saturated Space, Joanne McNeil explores the evolution of eyeshadow pigments and attitudes towards make-up . "...